Are magazines cool again?
Published on
Late last year, I did not renew my subscription to Wired. The persistent stream of monthly magazines I’d nurtured for years slowed to a trickle, then dried up entirely. The end was graceful and quiet. I barely noticed.
Today, the latest issues of Codex, Kill Screen and The Manual litter my office and bedroom. Each is beautiful, thought-provoking, indispensable. They make me want more shelf space.
What happened?
My theories, so far:
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Publications this lovingly crafted have always existed, but without efficient means of cultivating an audience (or even raising money without sacrificing core principles).
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Magazines were most profitable when they focused on breaking, timely subjects. The internet is much, much better at this, so it ate their lunch. Print can now re-focus on its inherent strengths, just as painting did following the advent of photography.
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The container is as unessential as ever. The tactile, seductive quality of well-designed wood pulp exaggerates its significance relative to the content therein.