Entries from April, 2010.

Why HTML5 and proprietary platforms are both here to stay

Flash or HTML5? Choose your side.

That’s the tone seemingly set by much of the web community following the aftermath of Steve Jobs’ controversial Thoughts on Flash, exacerbated today by a thoughtful (yet apparently blasphemous) thread of Twitter commentary from influential Facebook developer Joe Hewitt.

These conversations have re-ignited a debate already intensified by the ever-increasing prominence of HTML5. While it may seem natural to regard this as a quarrel between proprietary technology and open standards, this is a gross oversimplification. Our feelings are merely the growing pains of a maturing Web.

The source of much of this tension is the difference of approach between the World Wide Web Consortium and companies like Adobe. The W3C is an important group tasked with an inherently sluggish goal: To corral, distill and encapsulate the opinions of a zillion developers and vendors  in order to produce hard-to-read documents detailing how the Web should be. While I’m sure more attentive observers may offer solutions for streamlining the W3C’s process, the result will never be analogous to that of a corporation. Great ideas (and profitable products) cannot wait for bureaucracy’s blessing.

Visionaries will always develop a means to forge ahead. That’s why Firefox, Chrome, Safari and Internet Explorer 9 all implement portions of an unfinished HTML5 specification. It’s also why platforms like Flash, Silverlight and the iPhone SDK have such a perceptible impact on the Web. Collectively, they are a crystal ball within which we may glimpse activities we’ll eventually take for granted. Remember how novel YouTube felt before embeddable Flash video became so pedestrian?

Not unlike the story of the tortoise and the hare, specifications eventually catch up. Like CSS and JavaScript before them, canonical experiences will “graduate” to full-fledged features of—or companions to—HTML. (Any Argo SSP or Netscape LiveScript loyalists out there?) Why? It’s all about accessibility.

The more accessible your experience, the larger your potential audience. HTML can be parsed fairly reliably by the majority of web-connected devices. But with each subsequent layer of complexity, your user’s device and/or browser must be sophisticated enough to interpret the additional technical requirements. It’s our job as designers and developers to weigh the benefits of each layer’s capabilities against the hurdle it may represent for the consumer. Many of us employ progressive enhancement to capitalize on the latest technology while leaving as little of their users behind as possible. Time/budget permitting, why wouldn’t you want to pursue a greater breadth of device compatibility?

Plugins must innovate in order to survive. If Flash stagnates, if it fails to shine a guiding light on the future of our industry, it will join its sibling Shockwave in an ever-growing graveyard of antiquated technologies, succeeded not only by HTML5 but by more innovative competitors (Silverlight) or a whole new paradigm (device-specific SDKs).

The Web needs these technologies. I believe (and wholeheartedly hope) that standards will continue to define the most prevalent form of the Web experience, but not without the guidance, foresight and bullheadedness of those who refuse to slow down.

My Favorite Cyborg Anthropologist

I’m delighted to say that Portland’s own Amber Case (@caseorganic to many of you) has been highlighted in Fast Company’s Most Influential Women in Technology 2010. I’m also pleased that they chose to feature the CyborgCamp logo she and I created in collaboration with volunteers.

Amber is a rare and invaluable personality. I’m fortunate to have a circle of friends who continually challenge me with their ideas and accomplishments; Amber has an abundance of that amazing quality.

When we first met to discuss possibilities for the CyborgCamp logo at Backspace, Amber quickly took me away from the comfort of my sketchbook and tablet PC and to a local gallery. The work displayed there combined organic forms with man-made objects in unexpected ways. These spontaneous unions proved immensely inspirational for the entirety of the project.

That’s Amber in a nutshell (specifically, a hazelnut shell). She shifts you from your typical frame of reference, forcing you to stumble upon a unique (and ultimately more compelling) solution.

Basically, Amber rocks. Go read the article.

Photograph by Mark Colman.

iPad Angst